There it is, Plain as Daylight

One quick link to start off with: I have a review in today’s Manga Minis, for volume four of Go!Comi’s Ultimate Venus. It’s a fun little manga that I’ve enjoyed so far, and I’d recommend it as light shojo fluff. Now on to the real topic of this post.

So, over this past weekend, I attended the first annual (yes, they said so!) New England Webcomics Weekend at the Eastworks building in Easthampton, MA, just a couple of towns over. I read a few webcomics regularly, but my husband is the real fan, so though many of the panels sounded interesting to me, I wasn’t really sure what to expect. It was, however, an exceptional weekend, and I came away a fan of many more webcomics than I’d been when I arrived.

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Thanks to Brigid Alverson’s recent interview with Matt Thorn, I got inspired to read some Moto Hagio, beginning with her short science fiction manga from 1975, They Were Eleven. Last night I wrote up a review, which you can find today at Tokidoki Daylight! I’m afraid my lack of background in manga shows terribly in this review, despite my ongoing quest to become more knowledgeable, so for further reading, I’d recommend going through Matt Thorn’s website, where he has many articles and resources chronicling the history of shojo manga, all of which are much smarter than anything I could write. My review, however, does include some nice images I scanned in from my copies of the manga so it’s worth checking out if you’ve never read it! They Were Eleven is unfortunately out of print here, but the Viz pamphlets can be picked up very reasonably on ebay, which is how I got them. Don’t even think about trying to get Four Shojo Stories, though, unless you’re a lot richer than I!

Over the next couple of days, I’ll be pretty much occupied at the New England Web Comics Weekend, which is conveniently located just a couple small towns over! My husband is a huge fan of webcomics, and I keep up on a number of them myself, so it should be an enjoyable event all around. There are quite a few interesting panels being presented, and you know I’ll be at the print vs. web discussion, right? :D I’ll try to report in at some point with any interesting news.

A million thanks to those who have chimed in with recommendations over at my Let’s Talk About Manhwa post! I’m so excited to find new things to read! Please stop by if you have anything further to add!

So, I’m starting this entry with the full awareness that I know very little about Korean comics, and the truth is, I’m hoping it will lead to a flood of recommendations and information so that I can remedy that. Everything I say here will be based on the very small amount of manhwa I have read, almost all of which was provided by publishers and given to me to review at Manga Recon. I hadn’t really formed an opinion about manhwa as a whole, but as I was thinking about it recently, I realized that out of the five or so titles I’ve reviewed (most of them multiple volumes), I’ve liked all of them. This makes me want to know and read more.

Soyoung Jung, VP of NETCOMICS, has been quoted as saying that she considers manhwa to be more “poetic” than Japanese manga. I don’t have enough background to necessarily say the same, but I can speak to one genre and the titles I’ve read in it, and that would be boys’ love. Most of the manhwa I’ve reviewed so far has been BL manhwa (and by “most” I mean “three”): Let Dai and Totally Captivated, both from NETCOMICS, and One Thousand and One Nights from Yen Press. All of these are good-sized series (two of them complete at this time), and they definitely have some things in common.

First of all, they all tend to be pretty violent and somewhat melodramatic. This is obviously not the draw, though, as these are the two things (aside from bizarre female fantasy versions of gay men) I’m most likely to complain about in a BL review. So what is the draw? You know, they are all freakin’ epic. They are epic, plotty, multi-volume stories with complicated characters, and that’s the thing I want from comics in general that seems so hard to find in BL. I mean, even while these three Korean series are busy being melodramatic and violent, they are also getting really deep into the characters’ minds and hearts–all their strengths, weaknesses, and contradictions–great, small, ugly, beautiful–and that’s what makes these stories so compelling. It’s also what I’ve been missing in most of the Japanese BL I’ve read. Again, these observations are based on a pretty small sample of books, so there is no way I can claim any of it as Certifiably True, just true to my experience. And judging from my experience only, it wouldn’t be ridiculous to conclude that I like Korean BL more than Japanese BL, which I think I might, and indeed I might describe it as “more poetic.”

Of the other manhwa titles I’ve read so far, only one includes multiple volumes, and that is Yen Press’ series, Comic, which I talked about here. So far it has grabbed me a little less than the other manhwa series I’ve reviewed, but enough to happily anticipate the next volume.

So, what fantastic titles am I missing? There must be loads! What should I know about Korean comics that I’m not going to find out from wikipedia? Talk to me, friends! Teach me about manhwa!

Still feel like I’m kind of running on empty over here, and it looks like my website is feeling the same way, considering how slow it’s loading this morning.

I have two reviews out in the world today, both at Manga Recon’s On the Shojo Beat column. The first is for volume fifteen of NANA, and the second for volume six of Wild Ones. The difference in quality between these two series is so great, it would be unfair to compare them, so for the moment let’s just say I really love NANA. Reading volume fifteen gave me the urge to do a re-read of the series so far. I haven’t started yet, but I think I probably will do this. Volume fifteen also provids one of those sporadic moments in which I identify strongly with Nana Osaki. Most of the time I identify really heavily with Nana Komatsu, but when it comes to career drive, it’s all Nana O. I suppose I’m three parts Hachi, and one part Nana, if you think of it like that. This particular instance was very rare, because it actually had nothing at all to do with career. I have (more than once) had the experience of watching everyone around me drifting away, or worse, the sudden realization that everyone is already gone (hello NYC in the couple of years before I left), and I was feeling that hard while reading this volume.

In other news, I have had a headache since Saturday evening, and it won’t really go away. Ugh. Oh, and the guy who draws xkcd has obviously been visiting my dreams. I’m almost forty and I still have these, including just last night. I also still have theater dreams. You know, where it’s time for your entrance, and you realize you never learned the lines/song/dance/etc., and in fact are not sure what the play is. Oh, and you’re going to miss the entrance anyway, because you aren’t in the right costume/shoes/wig, etc. Even after all these years. Wow, my head hurts.