there it is, plain as daylight.

Um. Apparently this has temporarily become a music blog. Back to the usual manga-talk and self-important essays soon, but first:

Last night, one of my very favorite bands, Northampton’s own Winterpills had a cd release party for their third album, Central Chambers at the Iron Horse Music Hall. It’s always great to see Winterpills at the Iron Horse, because they are able to bring up all their musical pals and create a really rich and exciting show. Last night was no exception.

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Yesterday began on a pretty depressing note. Groggy and cranky after a night of poor sleep, I noticed, just as I was about to leave for work, a kitchen full of inky footprints (which led to inky footprints in the living room, where a very inky dog sat chewing on an ink pen). Long story short, I arrived at work very late with ink-covered hands, and the day went downhill from there. Everything changed, however, at the end of the day, and I spent the evening being reminded of two very important truths:

1. People are awesome. Waiting for me when I returned home from work was an unexpected package from the very wonderful Deanna Gauthier, who sent me her entire collection of Fruits Basket manga, and the anime series as well! Now, this is a person I’ve only interacted with online, and the only reason we know each other at all is because she went to graduate school with a mutual friend. She lives way out west, we’ve never met, and yet here she’s sent me this big box of manga that I otherwise would not have the opportunity to read anytime soon. Deanna, you are incredibly generous, and seriously awesome. Thank you so much.

2. Music is awesome. The planned awesomeness for the evening, and the reason why I have not yet dipped into that marvelous box of manga, was a trip to Boston to see British singer-songwriter Tom McRae at Berklee College of Music’s Cafe 939. I’ve been a fan for a while, but this was my first time hearing Tom play live (Paul had seen him once before). The evening was even better than I’d imagined.

Tom McRae is somewhat known back at home, I believe, but horribly under-appreciated over here, and though the cafe has a nice sound system, and is very well-run, I was depressed to see that he’s playing such small venues in this area, and that even this place was not full. When my husband found out I’d be blogging about this concert today, he said, “Beg. Please beg.” And so I will. Tom McCrae does not have nearly enough fans in this part of the world, so please, follow the jump and allow me to beg your attention.

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I mentioned last week or so that Plastic Tree’s new album was due out while I was at NYAF, and now that I’m home I’ve finally got a chance to listen to it. This does not resemble a coherent review or anything, but I do have some quick reactions on the new tracks that I can share. These are pretty much stream-of-consciousness, which may give you a clear idea of why I do not usually allow myself to write that way. Also, keep in mind that these impressions are based on music only, as I haven’t read any translations yet. And so…

Notes on Utsusemi: Continue Reading »

I don’t think I’ve ever talked about it here, but I’m a big fan of the band Plastic Tree (PuraTuri, if you prefer). They are one of my very favorite bands, and and unlike a lot of their fans, I love both their raw, older sounds and the newer, more pop-influenced sounds. I mean, okay, if you put individual songs head-to-head, I’m not going to say I like “Alone Again, Wonderful World” as much as, say, “Rocket” or “Nukegara” or “Irogoto” or “Petshop,” but I’d say that about “Andro Metamorphose” or “Mujineki” or even “Replay” on the right day. There’s a place in my life and heart for every phase of this band’s long history, and a moment that is the perfect moment for each song, somewhere along the way.

I’m not sure I could tell you exactly why I love this particular band so much, though I can say that I could listen to Ryuutarou Arimura sing all day, and often do, but somehow in their mish-mash of sounds and influences, they have captured me completely. I’ve spent long, exhaustive posts on this topic in other spaces, and in the end perhaps it is just simplest to say that this band speaks to me, so I listen.

What this is all getting around to, is that Pura has a new album, Utsusemi, coming out next week (available for pre-order at Yes Asia), which I’ve been anxiously waiting for, and I just found out, though this is probably old news to all other fans, that you can stream clips of all the songs over here at Universal Japan. A couple of the songs have been available already as singles (”Alone Again, Wonderful World” and “Replay“) but the rest are all brand new, and there are a few I already know will be favorites for me (the title track, for instance).

Just passing it on. :)

I’m actually going to talk about something other than manga today. Hopefully this does not mean the end is near.

So, I got an e-mail this morning, letting me know that Derek Sivers is selling CD Baby. I knew it had to happen someday. Derek never really intended it to become what it did, and the site was never going to be his life-long passion. He’s selling to Discmakers, and while I’m not exactly sure what to think of that, they are at least a company that depends on independent artists for their business, so they should understand who they’re working with. After all the drama with Livejournal selling to SixApart a few years back, I suppose I should be much more jaded over all this “they’ll do a better job” type of talk, but I can hardly think of any person I’ve known in any business with more integrity and real sincerity than Derek Sivers, so I’ll give him the benefit of the doubt here. Yes, I’m sure that there will be changes at CD Baby, and probably some of them I’ll like, and some I won’t, but that might have happened even with Derek. Now I admit, I don’t have as much at stake as many other artists on the site. My cd is out of print, I’m not marketing it (as if I ever did, heh), and I’m only collecting digital sales from CD Baby at this point anyway. But I really believe in and care about what CD Baby stands for, so I do have some stake in preserving that. I hope Tony Van Veen at Discmakers feels the same way. Also of interest, the birth of CD Baby comes in at #1 on CMJ’s “Ten Moments in Ten Years : a celebration of independent music.”

On a more personal note (because that’s what I do, I personalize everything, and hey, I’m managing to bring in manga after all), Derek also posted today Abraham Maslow’s 8 Ways to Self-Actualize, which really struck a chord with me this morning. Continue Reading »